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7 Mistakes You’re Making with Your Pet Photography Pricing (and How to Fix Them)

Mar 11 2026 | By: Ina J Photography

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7 mistakes you’re making with your pet photography pricing (and how to fix them)

When I started Ina J Photography back in 2007, it started as a hobby. I'd just bought my first SLR and was shooting for fun, but at some point I thought, "I could actually charge for this," registered my ABN, and it became a side hustle. I looked at what a few people in my area were charging, picked a number that felt safe, and hoped for the best.

I got some bookings here and there but never made any real money. The most I earned in a year was maybe $10,000, and that only happened once. Most years it was closer to $5K, and I was carrying a loss year after year because I kept reinvesting in gear. On top of that, I was doing this alongside a full-time job, which meant editing late into the night for very little return.

It wasn't until 2019, after Mac passed away, that I started seriously considering pet photography as a real business. I made the leap in 2020, hired a business coach, and that's when it clicked. I wasn't running a good business model. I was selling my time and my files just like everyone else, which meant I was constantly competing on price.

If that sounds familiar, you're not alone. Most of the pet photographers I work with are making the same few mistakes. Here are seven of them.

1. Pricing based on the photographer down the road

This is the most common one I see. You look at what other photographers in your area are charging and try to stay "competitive" by being slightly cheaper or matching them.

Here's the problem. You have no idea what their business actually looks like. They might be doing this as a hobby with zero overheads. They might be on the verge of calling it quits. When you price based on what someone else charges, you're letting them dictate the value of your work without knowing whether their numbers even make sense.

You need to price based on your own cost of doing business and your own financial goals. I actually built a free Sustainable Pricing Calculator specifically for pet photographers so you can work this out properly. You can grab it here:

Sustainable Pricing Calculator

 

2. Offering all-inclusive packages

When I started, I offered one flat fee that included the session and all the digital files. I thought it made things simple for clients. In reality, it kept me stuck as all it means my photography is being compared on pricing only and then it's just viewed as a commodity. 

A commodity is something easily replaced by a cheaper version. If you're just "the person who gives me 50 digitals," that's how clients will see you. The all-inclusive model caps your income because no matter how much a client loves the images, they've already paid their flat fee. There's nowhere for them to invest further in wall art or albums. And that's where a sustainable photography business is built.

3. Not counting your invisible hours

You might think a one-hour session at $250 sounds fine. But the session is maybe 10% of the actual work.

There's the enquiry, the prep guide, the travel, the session itself, the backup, the culling, the editing, the gallery prep, and all the back-and-forth communication. When I actually tracked my time for one client, I was spending closer to 10 or 12 hours per session.

If you're not factoring in those hours, you're not making a profit. You're just paying yourself a very low hourly rate and wondering why you're exhausted.

4. Giving clients too many choices

If your pricing guide is a long list of every print size, choices of 3-4 types of wall arts, packages, and digital option, clients get overwhelmed. When people are overwhelmed, they either pick the smallest, cheapest thing just to make a decision, or they don't decide at all.

One of the things I focus on in my Consistent Bookings Framework is simplifying the decision-making process. Instead of a confusing price list, I help photographers guide their clients toward what they actually envision in their home, how they want to see the photograph of their dog and create a custom artwork experience where the value is clear. When you lead with artwork and intention rather than a long list of options, clients feel supported rather than lost. 

5. Not pricing for the specialised skill set  and experience you have

Pet photography is not the same as photographing people. We are part photographer, part animal behaviour reader, and honestly sometimes part gymnast because we have to get down on the ground and be in weird positions sometimes. We're working with anxious dogs, hyperactive dogs, dogs that would rather eat the camera than look at it.

If you're pricing your sessions the same as a standard portrait session, you're undervaluing everything it actually takes to do what you do. Your pricing should reflect that skill and experience.

6. Not leading with wall art

A lot of photographers list their products and hope clients will choose something big. But if you're not actively guiding clients toward artwork for their home, most of them will default to whatever feels safe and affordable.

Here's the thing. The shift I made that changed everything was leading with wall art from the very beginning of the client relationship, not at the end when I'm hoping they'll upgrade. By the time a client books with me, they're already thinking about where a piece might go in their home. We've talked about it. I've asked about their walls. I know whether they're thinking about one big statement piece or a collection or if they don't have wall space a portrait box or album.

That means by the time we get to the session, I'm shooting with intention. And by the time we get to the ordering appointment, it's not a sales conversation. It's just finalising what we already planned together.

If you're not doing this yet, that's where I'd start. Not with a product price list overhaul. Just start the artwork conversation earlier.

7. Avoiding the money conversation

I used to be scared to say my prices out loud. I'd avoid mentioning them until the very end of a call, worried people would think I was expensive.

What I've learned is that avoiding it early actually attracts the wrong people. When you're upfront about your starting prices and clear about the experience you offer, you pre-qualify your enquiries. You want the people who value what you do to reach out. Not the people who are shopping for the lowest price.

And if you're hesitant when you mention your session fee, clients will feel that. Confidence in your pricing is where client confidence in you starts.

Here's the thing though. This is really a mindset issue. If you're struggling with this, it's worth looking at your money blocks, because a lot of what holds photographers back comes down to one belief: "I wouldn't pay this, so why would my client?"

But you are not your ideal client. And projecting your own money beliefs on to your clients aren't actually going to help you or even protect them. It's just going to get in the way and your clients will then feel that.

So what do you do with all of this?

Fixing these mistakes isn't just about updating some numbers on your website. It's about a genuine mindset shift and putting a system in place that actually works.

This is why I built the Consistent Bookings Program. I wanted to help pet photographers move away from inconsistent income and into a business that feels sustainable and genuinely worthwhile. Whether you're just starting out or you've been doing this for years and feel stuck, there is a better way to do this.

If you want to start by figuring out where the gaps actually are in your business, the Consistent Bookings Audit is a good place to begin:

Take the Consistent Booking Audit

 

And if you're ready to go deeper, you can join the waitlist for the next Consistent Bookings Workshop here:

Add me to the Waitlist

 

Your work has value. Your time has value. And building a business that reflects that is completely possible.

If you have any questions or just want to chat about where you're at with your pricing, feel free to reach out. I'm always happy to have a conversation.

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